The Replica Prop Forum
Very cool site I am also a member of
Thursday, February 5, 2026
Anti-gun Group 97Percent is Back, Now Led by Anti-gun Ex-cop - Ammoland.com
It appears the anti-gun nonprofit 97Percent has returned, although there have been massive internal changes and it is much less now than it used to be.
We haven’t heard much from them since they plagiarized photos of top female shooters to gaslight the public into believing they were not an anti-gun group.
97Percent’s one-time executive director, Elizabeth Troye—once a senior advisor to Vice President Mike Pence—has been scrubbed from the group’s website.
In her place is Christopher Carita, an ex-cop who just last year was denied a disability pension by Fort Lauderdale’s Police and Firefighter Pension Board by a 4-3 vote. Apparently, a majority of the board members didn’t believe Carita was suffering from PTSD, because his application did not meet the criteria for being “service connected, permanent and total.”
Carita’s takeover appears to be solely to increase support for his current work, which is holding classes on “red flag” laws, which he calls Extreme Risk Protection Orders, or ERPOs.
Click the link to read the whole article: Anti-gun Group 97Percent is Back
NW Anti-Gun Lawmakers Target Gun Owners’ Wallets - Ammoland.com
Anti-gun-rights Democrats in Oregon and Washington have a new strategy to strangle the right to bear arms on both sides of the Columbia River, and it is squarely aimed at their wallets.
In Washington, Democrats in Olympia are looking at adding $100 to the nonrefundable fee for a concealed pistol license, jacking the cost up from $36 to $136, with the money ostensibly earmarked to fund a “juvenile firearm early intervention alternative account.” The measure, House Bill 2456, was already heard by the House Committee on Early Learning & Human Services, while alarmed critics say the legislation should be before the House Civil Rights & Judiciary Committee.
Under the bill’s language, “The nonrefundable fee, paid upon application, for the original five-year license shall be one hundred thirty-six dollars plus additional charges imposed by the federal bureau of 4 investigation that are passed on to the applicant. No other state or local branch or unit of government may impose any additional charges on the applicant for the issuance of the license.”
In neighboring Oregon, there’s a move on via House Bill 4145 which would raise the cost of a permit-to-purchase from the $65 maximum to $150. In an alert to its members, the Oregon Firearms Federation warned, “This bill doubles the time you must wait to receive a “permit” to attempt to purchase a firearm and jacks up all fees. This dramatic increase in fees is no doubt another example of Oregon’s Democrats’ compassion for low‑income Oregonians—people most likely to live in high‑crime areas.”
Click the link to read the wholoe article: Anti-Gun Lawmakers Target Gun Owners’ Wallets
Wednesday, February 4, 2026
Tuesday, February 3, 2026
Tuesday Matinee - California Jam 1974 - Conneyfogle
Glenn Hughes: It was when the world was fresh, everything was rosy and fantastic, and I was drinking lemonade. I remember very clearly what was going on. One of the higher-ups at Warner Brothers even bought me an expensive white suit to wear on stage. The idea was to make a contrast with Ritchie, who was known as the Man In Black.
What’s the story behind the bonkers climax to the set?
David Coverdale: We were supposed to go on stage at sunset. That was actually written into our contract. But the California Jam was running ahead of schedule. We’d just flown in by helicopter and I remember being in my backstage caravan, pouring myself a scotch and Coke, when somebody came in and said: “It’s time for you to get out on stage.”
Blackmore was very cheesed off when he was asked to go on stage early.
DC: Ritchie wanted Purple to be the first band to use lights on stage. He refused to go on stage until the contracted time, and he was absolutely correct. I remember someone saying: “Do you know who you’re dealing with there?” There was inference the Mafia was involved.
GH: There was lots of screaming and yelling. Ritchie locked the door to his trailer. They had to break in to get him out of there. Was there a chance Purple’s show might not have gone ahead?
DC: Yes. The festival organiser told us: “Right, that’s it, we’re pulling the plug. You’re all going to fucking hell.” And he stormed off to announce that we wouldn’t be appearing. Luckily our tour manager, Ossie Hoppe, beat him in a race to the stage. Ossie grabbed the mic and shouted to the crowd: “Do you wanna see Deep Purple?!” And a quarter of a million people went: “Yeah!”
GH: We managed to delay by about 20 minutes but the sun only went down about halfway through our set. But it fired us up; it gave a bit of an edge to our performance. Ritchie had a bit of a moan – he hadn’t had time to change into his stage clothes. Then Blackmore attacked a cameraman.
DC: That was never supposed to be part of the show, to smack the cameraman. But he was on Ritchie’s arse from the word go. Ritchie would do his thoughtful, melodic little pieces and there’d be this abrasive voice going: “Hey, step back so I can get a decent shot of you.”
What about the explosive climax?
DC: It went a bit too far. There was too much explosive. It looks great, I agree, but Ritchie got burned, Paicey got burned, and some of the crew got burned. Thankfully it was nothing too serious.
GH: We sold a lot of records and concert tickets in America after that. It was a big, bold statement and it deserves its place in rock’s history books.
GH: I want to make this clear – Purple were the headliners. A few months before, we added ELP to bring some more people in. But we chose not to go on last [as ELP did]. All I can say is that the freeway was jam packed with cars as we left.
1974 was an amazing year for Purple.
GH: It was a fabulous year. You could actually see the band uniting on stage on that American tour, culminating in the California Jam appearance. It’s the Mk III line-up in all its glory.
DC: Contrary to reports, Purple was a happy camp. I still appreciate the incredible courage Purple had in taking me on. I was unknown before I joined them. I’d like to reconnect with Blackers and say to him: “Thanks a fucking bunch.”
When Purple did Smoke On The Water, the lyrics were changed from ‘We all came down to Montreux’ to ‘They all came down to Montreux’.
DC: That was a tip of the hat to the Mk II line-up.
GH: Mk II were a great band. But I thought the beauty of Mk III was having two new guys come in that were totally different to the other chaps. It was a bold move.
David, you also grappled with an extraordinary L-shaped mic stand at the California Jam.
DC: That stand was my idea. I wanted to have my own identity on stage.
The ‘rainbow arch’ effect at the back of the California Jam stage obviously gave Blackmore some ideas for the future.
GH: Absolutely. It really did.
Is it true that Linda Lovelace knocked on the door of Purple’s trailer – but was ignored?
DC: Yes. Nobody had heard of her at the time, so she wasn’t allowed in. That ruined my reputation!
What do you think when you look back at the California Jam footage now?
DC: When I see it I realise I learned shitloads from that performance. It helped set me on my way.
GH: I love playing in front of a lot of people. You can see that from the show footage. I was ready for that. I was born to play the California Jam.
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